For those of you looking for a place to vote with your dollars in favor of more diverse depictions of New York in general and Brooklyn in particular, I’d humbly submit that you should be getting really, really excited for Spike Lee’s Red Hook Summer, which was one of my two favorite movies at Sundance this year. It’s a glorious movie, often joyful, sometimes shattering, about the black church, about white gentrifiers who freak out when African-American kids write their initials in her cement, about air pollution and asthma and the high cost of inhalers, about falling in love for the first time when you’re a young teenager. I would be willing to lay money that the horror with which Lee’s Sundance pronouncement that Hollywood doesn’t care much for or about black people was greeted is part of the reason it’s taken so long for Red Hook Summer to find distribution. I’m also willing to bet that the movie will be criticized for its frank politics and for its attention to Lee’s personal areas of interest—Deadline, for some reason, has decided that it’s “controversial,” which says more about Deadline than Lee or Red Hook Summer. If you’re in New York, mark your calendars for August 10 for the movie’s release date. The rest of us will have to wait a little bit longer.