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Alyssa

Forty Whacks

When I think about it, Chloe Sevigny’s really spent an awful lot of time on-screen around murderers. She’s serial killer Patrick Bateman’s secretary in American Psycho, murderer Michael Alig’s girlfriend in Party Monster, a researcher in The Killing Room, Brandon Teena’s girlfriend in Boys Don’t Cry, Robert Graysmith’s girlfriend, wife, and ex-wife in Zodiac, and daughter of a possibly murderous Fundamentalist Latter Day Saints prophet on Big Love. So maybe it’s about time she got to kill someone on-screen, or at least get accused of it, as she will in HBO’s new Lizzie Borden miniseries. I’ll be curious to see if the series comes down on the side of Borden’s guilt or innocence, and how much it explores the extent to which the Borden family was isolated and resistant to modernity.

In an odd way, Lizzie Borden’s story feels like a macabre fairy tale to me. It’s a story that’s so familiar that I need an interesting interpretation to hook me into it, as if it’s fiction, more a form than a specific story. Obviously it’s history, these were real people who were murdered, it’s a genuine mystery that will never really be unraveled now that everyone who was involved in it or might be invested in the outcome is dead and gone. That transmutation of life into fictional clay is easier than perhaps it ought to be.

Sad Sack

This trailer gives me some pause for General Over-Obviousness, but it’s also worth remembering how good Will Ferrell can be when he tunes the manic all the way down:

Stranger Than Fiction remains one of the real high points of his career, as a man who generates comedy simply by being battered by life (also, a crazed novelist played by Emma Thompson). Ferrell is good at making ordinary situations ridiculous, but he also has a real talent for spotlighting the ridiculousness of totally ordinary situations, too.

Adaptation

Blogging may be a little slow today, since I spent most of the weekend grappling with HBO’s adaptation of Game of Thrones. It’s a genuinely terrific show in ways that surprised me, beautiful and brutal and expansive, and I’ll publish a comprehensive review the week before the premiere on April 17. Let’s use this as an open thread for speculation and questions (I’ll answer general ones, but won’t provide spoilers, and am happy to be reassuring about concerns) about the series. And I’ll be back in greater detail later today.

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