George Will, shut your stupid face:
Do we need another waist-deep wallow in the 1960s, ensconcing us cheek by jowl with Frank Rizzo and Eldridge Cleaver, Sam Yorty and Mark Rudd, Lester Maddox and Herbert Marcuse and other long-forgotten bit players in a period drama? Do we need to be reminded of that era’s gaseous juvenophilia, like Time magazine’s celebration of Americans 25 or younger as 1967’s “Man of the Year”: “This is not just a new generation, but a new kind of generation. … In the omphalocentric process of self-construction and discovery,” today’s youth “stalks love like a wary hunter, but has no time or target — not even the mellowing Communists — for hate.”
Well, this retrospective wallow does increase the public stock of harmless pleasure, as when Perlstein revisits the 1972 Democratic convention that nominated George McGovern and heard 80 nominations for vice president, including Mao Zedong and Archie Bunker. But Perlstein’s high-energy — sometimes too energetic — romp of a book also serves, inadvertently, a serious need: it corrects the cultural hypochondria to which many Americans, including Perlstein, are prone.
Nixonland is a masterpiece. You need to read every word, including/especially the punk-rock love note Rick wrote to his wife at the end, which actually brought tears to my eyes. Trust me on this one.
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May 11th, 2008 at 6:34 pm
Is it any real surprise? And why did the New York Times have Will write a review anyway?
May 11th, 2008 at 7:41 pm
“Another waist-deep wallow”? It’s really not like there have been tons and tons of political books about the 60s or like everybody thinks about it all the time. It’s only the conservative imagination that is obsessed and inflamed by it. I mean, Sam Yorty? Mark Rudd? Are these supposed to be household names these days?
May 12th, 2008 at 12:57 am
Punk ain’t got nothing to do with it. That dedication was jazz. Fuck punk.
May 12th, 2008 at 1:40 am
Ah Rick. I keep forgetting you’re the Fred Armisen character in Anchorman.