Right-Wing Apoplectic Over Pixar’s WALL-E: ‘Malthusian Fear Mongering,’ ‘Fascistic Elements’

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"Right-Wing Apoplectic Over Pixar’s WALL-E: ‘Malthusian Fear Mongering,’ ‘Fascistic Elements’"

wall-e.jpgThis weekend, Pixar’s latest film “WALL-E” debuted at No. 1, earning $65 million at the box office. The film has been hailed by critics, scoring a whopping 97 percent “Fresh” rating on RottenTomatoes.

The film portrays a lonely robot’s quest for love, as he is left to clean up a trashed earth. Meanwhile, the over-indulged humans wait it out aboard gigantic spaceships run by a monolithic corporation-turned-government that “resemble spas for the fat and lazy.”

Somehow, this touching love story has outraged the radical right:

Shannen Coffin: From the first moment of the film, my kids were bombarded with leftist propaganda about the evils of mankind. It’s a shame, too, because the robot had promise. The story was just awful, however.

Greg Pollowitz: It was like a 90-minute lecture on the dangers of over consumption, big corporations, and the destruction of the environment. … Much to Disney’s chagrin, I will do my part to avoid future environmental armageddon by boycotting any and all WALL-E merchandise and I hope others join my crusade.

Glenn Beck: I can’t wait to teach my kids how we’ve destroyed the Earth. … Pixar is teaching. I can’t wait. You know if your kid has ever come home and said, “Dad, how come we use so much styrofoam,” oh, this is the movie for you.

Dirty Harry: Have we lost Pixar? Have we lost the wonderful studio who brought us The Incredibles and Ratatouille to Bush Derangement Syndrome? Here you have a winning streak going back ten-years, enormous amounts of public goodwill, equal amounts of credibility as serious storytellers, and they stop things cold, yanking you out of the story with the liberal nonsense. Quite a disappointment.

Jonah Goldberg: I agree with the charges of hypocrisy. I agree that the Malthusian fear mongering was annoying

Goldberg posted a lengthy letter from a reader decrying the film’s “fascistic elements,” which apparently include the movie’s discussion of the environment, a character “getting in touch with her emotional, passionate inner self,” and the use of the color red.

Now we can add a critically-acclaimed and universally-beloved cartoon character to Goldberg’s enormous list of evidence of “liberal facism,” which already includes vegetarianism, love of animals, and Captain Planet.

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