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Alyssa

Wall The Gardens: Comments Sections Don’t Have To Be Evil

Meghan Daum’s essay in the Believer on internet commenting is, I think, a fairly even-handed example of the species. She acknowledges that our discourse has always had its share of venemousness, that she isn’t actually required to read these comments. But I think she’s a bit too quick to dismiss comment moderation and community building:

But there is a world of difference between the traditional notion of public participation in a newspaper or magazine and the cacophonous, sometimes libelous free-for-all that passes for it today. Whereas the old-fashioned letter to the editor involved crafting a letter, figuring out where to send it, springing for a stamp, and knowing that its publication-worthiness would be determined by an actual editor who might even call and suggest some actual edits, today’s readers are invited to “join the conversation” as if the work of professional reporters and columnists carries no more authority than small-talk at a cocktail party. And although some sites are making efforts to weed out the trolls by disabling anonymous posting, filtering comments through Facebook, or letting readers essentially monitor themselves by flagging or promoting comments at their own discretion, most are so desperate to catch eyeballs wherever and however possible that they’re loathe to turn down any form of free content.

Obviously it’s not easy to moderate comments and to foster a community where a health conversation can actually happen. It’s something that takes a lot of your writers’ time if, like me or Ta-Nehisi, you read and moderate comments yourself. And if you don’t want to do that, you have to hire a community manager or managers. But I certainly think there are examples out there of successful efforts. And I think it’s probably worth interrogating the idea that moderation kills traffic or commenting communities: I think it’s much more likely that people don’t moderate because they don’t make the effort. I’m unpersuaded that the people who occasionally show up here to decry liberals or inform me about the evils of Muslims are carrying more traffic with them than they drive away. It’s a much more fruitful pursuit to figure out how we can create civilized spaces than to lament some sort of collective loss of civility. I think we should be open to a whole gradient of walled gardens, from moderated comments sections, to places like Metafilter where you have to pay to join the conversation as a demonstration of seriousness.

The most interesting question Daum raises, I think, is whether commenting and the internet have changed the way we write. She says she never would have published an essay she wrote in the mid-nineties about sex and HIV if she had to publish it in the environment writers face today. But Emily Gould did write a long essay about her own self-absorption in the New York Times Magazine when she knew she’d likely get dismantled in the comments section. And if web publishing existed in the same form then that it does now, Daum might not have had to cut down her essay to the point of unrecognizability to get it published by a respectable outlet. The way she describes it makes it sound like a perfect fit for The Awl. But even if you lose some ability to be personally revelatory, the huge benefit of blogging in particular is the ability to try out ideas, to play with different parts of arguments, and to test-drive different pieces of evidence, and to refine your ideas into a final product. We might be able to be less personally vulnerable on the internet, but I think it’s probably worth it in exchange for being able to do intellectual growth in public and with the benefit of feedback and allies.

Alyssa

‘Ender’s Game’ Continues Awesome Casting Streak With Valentine

My original choice for Valentine Wiggin would have been Chloe Moretz: thanks to Hit-Girl and Let The Right One In, we know she can play awfully tough when necessary while still retaining her girlishness. Plus, she and Asa Butterfield’s developed a really nice dynamic in Hugo.

But failing that, I’m delighted to hear that Abigail Breslin will be playing the part. Since her debut in Little Miss Sunshine, she’s been doing a series of roles that are solid but have none of the oddity, vulnerability, and conviction of that breakout part. Now, she has one.

I’m sure I’m not the only lady blogger, or lady nerd blogger, to feel like Valentine Wiggin is part of the reason we do what we do. I had no desire to manipulate the players in the Cold War when I was as young as she is. But the idea of finding a place where you can have a running conversation with anyone you want? Starting off playing pretend and finding your own voice–and then learning other people find it powerful? That’s a compelling pitch, particularly when you take away the potential-serial-killer-turned-world-leader older brother and the younger brother the state wants you to manipulate into committing xenocide.

Alyssa

Casting The ‘Ender’s Game’ Movie

The character descriptions for Gavin Hood’s adaptation of Orson Scott Card’s sci-fi classic Ender’s Game are out, and while some of them sound a little emotionally simplistic, they also sound generally true to the book, which is promising.

And they also made me realize that all I want for Christmas* is for Abigail Breslin or Chloe Moretz to play Valentine Wiggin. One of the things that’s been most exciting for me about the past couple of years is realizing what a wonderful, strong group of young actresses we have coming up in the wings. Breslin has grown from an odd little girl in Little Miss Sunshine to a warm, funny young person in movies like Definitely, Maybe and No Reservations. Chloe Moretz is rawer — despite the fact that she’s a year younger than Breslin, she’s taken on slightly older-themed roles like Hit Girl in Kick-Ass and the vampire in Let Me In. And Saoirse Ronan’s proved that she can do both the action thing with Hanna and a more delicate kind of girlhood in The Lovely Bones, which I think was flawed but very interesting and sometimes moving. And they’ve all coming up playing well-developed and defined characters, while also avoiding kiddie romance stuff. All of them, but particularly the first two who I think are a bit more age appropriate, would be wonderful at playing a fiercely concentrated and multi-dimensional young blogger, Tavi with a genius for research and geopolitics rather than fashion and girl culture.

On the other hand, I have no real idea about who should play Ender. Maybe it’s just that the girls have gotten more attention or, in what would be a shocking turn of events, there have been a spate of better roles for women than for men. But it seems like there’s a bit of a gender gap for talent in the mid-teen years. And as much as I love me some Valentine (and would love a stand-alone movie about a light-speed traveling activist historian), a great Ender will be key to making this movie work. A great Peter, too.

*We’ll talk my birthday separately.

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