When word came down in August that Guardians of the Galaxy, the planned 2014 Marvel movie about an oddball group of superheroes including an interstellar raccoon and a talking tree, was actually a backdoor introduction of Carol Danvers, the badass Air Force pilot who is now Captain Marvel, I was ridiculously excited. It’s long past time that Marvel added a female superhero (as opposed to simply a well-trained human woman) to the on-screen Avengers lineup, Danvers’ military pedigree would lend her some interesting synergy with Captain America, and she’d be a fascinating way to get a well-credentialed action actress like Katee Sackhoff into the franchise. But since folks have uncovered an old blog post by James Gunn, who is both writing and directing the movie, I’ve gone from enthusiastic about the project to straight-up terrified about it.

The post is Gunn reporting the results of a poll he did with readers about which superheroes they’d like to have sex with. It was deleted—and you can see why—but it’s available in Google Cache. And while I don’t necessarily oppose the idea of this kind of poll—superheroes are designed to be fantasies—the way Gunn wrote up the results reveals some pretty horrifying ideas about superheroines, both inside the bedroom and outside of it.

On Emma Frost, described as the woman of choice for “those men who love rude bitches,” Gunn says “What I love about Emma is the practical attire she wears while adventuring. Certainly, if I were a woman fighting giant monsters I’d want to wear some awesome breast-mushing halter top, a pair of panties, and thigh highs.” On my beloved She-Hulk, “I ever were in the mood to be dominated and treated like a little bitch, by someone who is green, then She-Hulk would almost certainly be the way to go.” Then there’s this little bon mot “Disco Dazzler, Rave Dazzler, and Punk Rock Dazzler, they all have one thing in common – a friggin’ GREAT vagina.” On Kitty Pryde: “I wrote her back [on Twitter], but neglected to mention that I wanted to anally do her. I won’t even mind if Lockheed is in the room, staring at me with a creepy look the whole time.” There’s slut-shaming of Batgirl: “Being a teen mom and all, you know she’s easy. Go for it.” There are nasty objectification fantasies, like this one of Spider-Woman: “The whole time I’m fucking her I can’t get her face out of my mind as the Skrull leader who tried to conquer the world. I know it’s not her fault, but I just can’t help it. So I finish on her face to help block out the painful memories.” A lot of “this woman is messed-up so she’s sexy,” a la Cassandra Cain: “Cassandra’s father taught her how to kill people when she was eight. Which means she has the ultimate daddy issues. Which means she’s just my type.”

Then, there’s the charming homophobia! On Gambit: “My girlfriend voted for this Cajun fruit. I think she’s looking to have a devil’s three way with the two of us. The idea of my balls slapping against Gambit’s makes me sick to my stomach.” The charming observation of Batwoman that “This lesbian character was voted for almost exclusively by men. I don’t know exactly what that means. But I’m hoping for a Marvel-DC crossover so that Tony Stark can “turn” her. She could also have sex with Nightwing and probably still be technically considered a lesbian.”

Maybe it should be comfort to us that of his potential heroine, Carol Danvers, Gunn only says “Carol Danvers dropped 13 points from her position last year. It’s a surprise to me as she is, along with Emma Frost and the Black Cat, one of the most consistently sexualized characters in the Marvel Universe,” though if he thinks her sexualization is one of the more telling things about her character, the fact that he doesn’t have specific fantasies about her may not count for very much. One of the most telling remarks Gunn makes is about Starfire: “The picture above is why, by the age of nine or ten, comic books had ruined real women for me forever.” In this post, he repeatedly mentions his girlfriend, so that doesn’t seem entirely true. But I do think that he and Disney should have to explain why these kinds of attitudes haven’t ruined him from being the kind of person who’s actually suited to introduce the first Marvel superheroine to an audience that includes men who are capable of reading superwomen as more than templates for sexual fantasies, and women who are eager to see themselves reflected on screen.

As excited as I am about the prospect of Marvel’s Guardians of the Galaxy movie actually being a way to introduce Carol Danvers to The Avengers franchise as Captain Marvel, I’m starting to have concerns about some of the casting rumors swirling the movie. None of this is for certain, of course, but the latest buzz has Emily Blunt in talks to play the fighter-jock-turned-superheroine. I dearly love Ms. Blunt, who can do everything from sexy to hilariously, neurotically competitive. But the fact that she’s in the conversation at all raises an issue that I’ve noticed in the conversation about a female version of The Expendables, too: even as we improve the action roles available for women, Hollywood stays rather inflexible when it comes to what kind of female bodies are desirable and viable.

When word came the ensemble project was in production, the director of The Expendables 2 came up with his dream cast list, which included only one woman who is primarily an action actress. I made the point at the time that it would be nice if the movie went after actresses who specialized in action films, and had the fighting styles and physiques to match. And that’s what’s happened, starting with the additions of Gina Carano and Katee Sackhoff.

I don’t want to say that there should be strict body-type requirements for certain kinds of roles. But it’s striking that the kinds of shoulders and muscle development that are a prerequisite for male action stars don’t help women land the same kinds of roles. Good fight choreography can help suspend disbelief, which is why it was exciting and upsetting to see Scarlett Johansson face off against a ripped and sleeveless Jeremy Renner in The Avengers. But if the casting in that franchise and Angelina Jolie’s career or any indication, the ability to look great in an evening gown and to miraculously avoid sweating off your lipstick even in tense circumstances is at least as important as the ability to look physically intimidating or land a plausible punch. Blunt can do both of those things. But I’d rather see Sackhoff, who has played a tough fighter pilot before, as Carol Danvers, and to see Hollywood value a woman’s physical strength as much as her face and dress size.

I’ve long suggested that a Doctor Strange movie would be a great way to introduce a new tone to the Marvel universe, a kind of movie that could rely less on big fights and more on magic and atmospherics. Now, it seems gossip suggests that Thor 2 might be planning to introduce Strange somewhere along the way, though as Topless Robot points out, it’s not entirely clear what he’d be doing hanging out in Asgard.

And while I love Mads Mikkelsen, the Danish actor who is reportedly in contention to play Doctor Strange, I’m coming towards the end of my patience with Marvel announcing spinoffs and new characters, who don’t feel all that new given that they’re all white dudes. If a man shows up, even in a peripheral way, in a Marvel movie, it feels like he has a chance of sticking around. Hawkeye backs up S.H.I.E.L.D. in Thor and gets to be sexy and brainwashed and tragic in The Avengers. Bucky hangs out with Steve Rogers in Captain America, and gets to be a focus of Captain America 2, which will follow the Winter Soldier arc, which involves Bucky’s resurrection, though Gabe Jones (Derek Luke), Jim Morita (Kenneth Choi) and Peggy Carter (Hayley Atwell) will stay safely in the past.

Women and people of color who aren’t Samuel L. Jackson haven’t been as lucky. Terrence Howard got replaced in the Iron Man franchise by Don Cheadle, a move that Marvel CEO Ike Perlmutter reportedly said he thought wouldn’t matter because people of color are indistinguishable. Pepper Potts, despite running Stark Industries while Tony goes off and does his superhero thing, will forever remain primarily Iron Man’s girlfriend. The same fate seems likely for Jane Foster, whose only appearance in The Avengers was as an image flickering on a computer screen. This may be more contractual than intentional, given that Cobie Smulders, who played Maria Hill in The Avengers, may end up having to do another season of How I Met Your Mother beyond this year, but Joss Whedon says that his S.H.I.E.L.D. show, rather than focusing on Maria, who could have been a hugely promising hook, will feature all new characters. If Guardians of the Galaxy is, in fact, going to be a Carol Danvers movie, it would be awfully nice for Marvel to let us know, and soon.

Hero Complex has a long interview with Kelly Sue DeConnick, who is writing Marvel’s new Captain Marvel book which has a woman, Carol Danvers, taking on that mantle. In a particularly interesting section towards the beginning of the conversation, DeConnick goes back and forth on the question of whether, though Danvers was conceived of as an explicitly feminist character, she is writing a feminist book:

I don’t think this is new to my interpretation of Carol. I think that she’s an incredibly driven individual. The single line that I use for her off the top of my head is: Crackerjack pilot races to prove dead daddy wrong. I think Carol’s wound comes from …. well, she comes from a family of three kids, two younger brothers. Her dad was an old-fashioned construction foreman who loved her very much. This book was conceived as an unapologetically feminist book. It happened in the ’70s during the feminist movement and that was very much what the book was about. We’re much more skittish about that today, interestingly. Well, her dad opted not to pay for her to go to school and thought it’d be better spent on her brothers. That’s why she enlisted — to get her education paid for. I think that hurt her, and she’s always been trying to prove to her dad that she’s worthy. But her dad’s gone now, so it’s not a thing that she’s ever going to be able to get closure on…I’m not trying to write a feminist agenda. This is part of who the character is. And I’ve heard people question the Absorbing Man thing, like ‘Since when is the Absorbing Man a misogynist?’ That wasn’t my intent. My intent with him was that he was pushing her buttons. It wasn’t that it was a particular thing with him. Although he is a very old-fashioned character, and I think it’s hilarious. It was trash talk in a fight.

I’d argue that given that the first lines that are spoken in DeConnick’s take on the character are Carl Creel’s snarl “Lucky me! If it ain’t Captain America’s secretary, Mrs. Marvel,” and that he goes on to clock Carol, declaring “I’ll show you smarts, lady!” and to tell to Cap, “You lettin’ the little missus give the orders now? Wouldn’t catch me getting bossed around by no broad,” she’s probably writing a feminist comic. When someone brings gender (or race or sexual orientation or religion) into trash talk, they’re not just joshing someone, they’re setting up a hierarchy where whatever characteristic they’ve singled out is disqualifying, and that someone allied with their target will suffer a worse loss because they’ve inverted the gender heirarchy, etc.—they won’t just be defeated, they’ll be degendered.

Feminism isn’t just about getting women into positions traditionally occupied by men. The second half of the DeConnick response I’ve quoted there is in response to the question from Hero Complex, “We’ve already seen some dismissive behavior from Absorbing Man in the first issue. Will her proving herself as a hero in a male-dominated super-landscape be an ongoing theme?” Feminism is also about what happens when women get there, about the fact that earning the job is often the first step in dismantling sexism, and sexists don’t exactly roll over and die when women obtain positions of power. And fighting sexism isn’t solely women, or superheroines’ purview. Part of what’s thrilling about reading DeConnick’s version of Captain Marvel is watching Captain America joke with Carol about Absorbing Man’s sexism mid-fight and afterwards to encourage her to take up the Captain Marvel mantle, saying “Bottom line is this: you have led the Avengers. You have saved the world. Quit being an adjunct.” Their conversation is just the superheroic version of a mentor encouraging a female mentee to give herself credit instead of deferring it, pitch more ambitious stories, or to ask for that raise.

In other words, just because we’ve moved from one phase of feminism into the next isn’t a reason to abandon that as a framework as a character (or for an actress like Melissa Leo, whose work is clearly feminist, to declaim the label). Sexism isn’t over, in the superhero world, in the real world, or in the places that they intersect. And that sexism’s become more diffuse and complicated just means there are more ways to use gender dynamics to tell fascinating, complex stories about how people, male and female alike, construct their identities and understand their relative positions in the world.