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Climate Progress

New Study Finds That Loggers And Conservationists Can Be Allies

Photo: Bridget Besaw, The Nature Conservancy

by Bronson Griscom, via the Nature Conservancy’s Planet Change Blog

Can tropical forests be logged sustainably and still maintain their incredibly rich biodiversity — and benefits to people? A new study published in the journal Conservation Letters provides evidence that, with smart forest management, the answer can be “yes.”

As a forest scientist and a co-author on this article, I believe our findings confirm a critical middle way forward in protecting tropical forests: maintaining the diversity of tropical forest plants and animals, reducing carbon pollution, securing economic opportunities for local communities, and recognizing that the world’s growing population will continue to have significant needs for timber.

Why a “middle way”? Why not just focus on halting logging of these forests wherever possible?

After all, our article does find that fully protected forests are often better at conserving more plants and animals than forests managed for timber. Also, cutting trees in the tropics generates as much carbon pollution as all the cars, planes, boats, and trains in the world. That’s why a lot of organizations like The Nature Conservancy, where I work, see protecting tropical forests as a powerful part of the solution to climate change.

But what happens when tropical forest logging is halted?

For one thing, what happens to the people in tropical forest regions who depend upon logging to put bread or rice on the table for their families? Getting rid of logging jobs may backfire as a conservation goal if the alternative livelihoods involve forest conversion. (We’ve seen this in Borneo, where villages face the option of engaging timber companies or oil palm companies … or attempting to refuse both and relying on subsistence agriculture.) Another problem: some builders might replace wood with another material like steel or cement, and the process of making those other materials generates more carbon pollution than wood. Furthermore, in some places loggers are a stronger force for forest protection than national parks. This dynamic has been demonstrated in community-managed forests of Mexico and Guatemala.

These are reasons why we considered the implications of a “middle way” in tropical forest conservation: a path that integrates logging and conservation. Our study reviews over 100 scientific papers and concludes that, in places with improved forest management practices, selectively logged tropical forests[1] retain the lion’s share of their plants and animals (85-100%) and carbon (roughly 75%). Not only that: timber yields can be sustained, albeit at a lower timber volume than the first cut.

In other words, tropical forests are surprisingly resilient to damage, as long as they are not completely cleared for another land use.

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Climate Progress

President Obama: Conservation Is Part Of Our ‘Character And Soul As A Nation’

By Jessica Goad, Manager of Research and Outreach, Center for American Progress Action Fund.

At a conference hosted by the White House this past Friday, President Obama spoke to a crowd of elected officials, sportsmen, environmentalists, ranchers, small business owners, and others about the many values and benefits of conserving our lands, waters, and clean air. In particular, he noted that protecting special places on both public and private lands can create jobs and boost the economy:

We have to keep investing in the technology and manufacturing that helps us lead the world, but we’ve also got to protect the places that define who we are, that help shape our character and soul as a nation. Places that help attract visitors and create jobs, but that also give something to our kids that is irreplaceable. And all of us have a role to play.

Watch it:

The president outlined recent successes and highlights of the America’s Great Outdoors Initiative, such as the establishment of Fort Monroe as a national monument under the Antiquities Act, local collaboration to restore and protect Montana’s Crown of the Continent, and a new commitment to work with farmers to protect 1 million acres of grasslands and wetlands under the Conservation Reserve Program. He also touted recent steps he has taken to promote tourism to the U.S., like easing visa requirements so that more people can enjoy our American parks, lands, and heritage.

In his speech, Obama waxed poetic about the beauty of Hawai’i and his first visit to Yellowstone National Park as an 11-year old child, saying he “still remembers” traveling there and the awe he felt coming over a crest and seeing the park below. He invoked America’s great conservationists such as Teddy Roosevelt and Aldo Leopold when making the case for the protection of our lands and waters. However, he failed to mention climate change, which fundamentally threatens all the “places that define who we are.”

The president’s statement that conservation can support jobs and the economy is supported by both academic experts and the American public. In November, a group of 104 economists sent a letter to the president stating that “protected public lands are significant contributors to economic growth” and asked him to create jobs by establishing more parks and monuments. Also, a new poll from the Colorado College State of the Rockies project found that 91 percent of voters in six western states said that protected places are “an essential part” of their state’s economies.

As Obama put it last week:

The bottom line is this: there will always be people in this country who say we’ve gotta choose between clean air and clean water and a growing economy. Between doing right by our environment and putting people back to work. And I’m here to tell you that is a false choice.

Land conservation and environmental protection are under a broad assault in Congress.  Republicans have launched campaigns to mine uranium around the Grand Canyon, throw open some of our last best places to drilling, and roll back presidential authorities to protect areas that local communities want to see protected.

Climate Progress

‘Renowned’ Conservationist Endorses Mitt Romney, Who Doesn’t Know ‘The Purpose’ Of Public Lands

By Jessica Goad, Manager of Research and Outreach, Center for American Progress Action Fund.

This afternoon presidential contender Mitt Romney’s campaign announced the endorsement of Rob Keck, the Director of Conservation at Bass Pro Shops and a “conservationist and renowned hunter.”  In his statement, circulated by the Romney campaign, Keck said that:

Mitt also understands the importance of wildlife conservation, as well as hunting and angling’s economic and political engine that powers America. He will ensure that this tradition continues and is strengthened.

“He will fix America and lead the way in helping protect and preserve our rich hunting and fishing heritage,” Keck concluded.

But just two weeks ago, Romney admitted in an interview with the Reno Gazette-Journal that he doesn’t know ‘the purpose’ of public lands, which are incredibly important to hunters, anglers, and western economies.

As Dietmar Grimm of Trout Unlimited wrote recently in response to Romney’s unfamiliarity with public lands:

Unfortunately, it seems there is a fundamental misunderstanding among the candidates of what public lands do for us beyond their extraction values. In contrast, we as sportsmen and women know that public lands are much more. Every time we go into a fly or tackle shop before we go out on the water, we see the value we’re creating as sportsmen conservationists. Every time we head out to our jobs in our local communities, whether it is in the gas field, a local restaurant, or at a local community college, we see the value we’re creating as sportsmen conservationists.

As a money man like Romney should know, hunting and fishing on public lands provide enormous economic benefits.  In 2006, hunter and anglers visiting Interior Department-managed lands spent $2.4 billion in equipment expenditures plus even more in hotels, gas, and food costs. However, the connection that hunters and anglers have with public lands goes far beyond their economic value.  As Sean of the hunting and fishing blog Up the Poudre wrote:

Political winds blow hard during election years, and seldom align perfectly with the values of the people for which speech writers and pundits entertain. Red, blue, green, or other, it doesn’t matter. Common sense needs a place at the table. It was disheartening to listen to Mitt Romney last week, discuss his idea of value as it pertained to public land in the west.

In his endorsement, Keck also says he is “very concerned about the future of America and the ability we have to pass along our rich hunting and angling heritage to the next generation.”  But Romney has not shown any indication that he is willing to make tough decisions to preserve hunting and fishing for the next generation.  In fact, he has gone so far as to deny the greatest generational threat to this uniquely American tradition -– man-made climate change.  As Todd Tanner of Climate Hawks, a group founded to “harness the power of sportsmen to address climate change,” told Field and Stream recently:

Let’s say you are walking down a trail in the wilderness with your wife and kids, and you come upon a grizzly sow, standing on a carcass. She charges, flat out. You’re in front of your family. What do you do? Just give up? Pretend it’s not happening? Let her maul you and everything your care about? Of course you don’t. You take action. That is how I see climate change. It’s real, it’s threatening everything we love. Not taking action is not an option.

Alyssa

The Uneasy Environmentalism of ‘The River’

If you’re going to pick someone to go missing and be need of rescue, can you do better than Bruce Greenwood? The veteran actor was a trouper while facing torture by mind control slug in the last Star Trek movie, and as vanished Amazonian explorer Dr. Emmet Cole in The River it’s easy to sympathize with the family that doesn’t want to give up on him. I generally liked the rest of The River, ABC’s new horror show about Cole’s disappearance and the team of reality television producers and scientists who teams up to return to the Amazon to find him, that premiered last night, too. Horror isn’t necessarily my favorite genre, but considerations of environmentalism and the ethics of reality television definitely are.

I appreciate that the show isn’t shy about about connecting Cole’s affection to the wild to a political worldview. “He was a passionate environmentalist,” one of the people eulogizing him says in news reports of his disappearance. But the show isn’t entirely clear on its relationship to that worldview. Cole’s explorations got him killed, or at least disappeared, and it’s clear that the time he sacrificed to his explorations that he could have spent with his family has left his son Lincoln with mixed feelings about the wilderness his father loved. “He missed my life to inspire a billion people I could give a shit about. There’s no magic out there,” he tells his mother. And later, he tells Lena, the daughter of another explorer who’s gone missing with Emmet, that “Science isn’t a great big wonder anymore. Discoveries are made in the lab, not the jungle.” It’s a perspective that downplays preserving the wild and focuses instead on the importance of human ingenuity and industry. But rather than just letting that statement sit, Lincoln gets pulled back into the jungle as his father sees it. Flooded by dragonflies, he admits to Lena, “Okay, that was pretty cool.”

That same canniness is present in the show’s examination of the ethics of reality television. Tess, Emmet’s wife and Lincoln’s mother, first shows up as the love of Emmet’s life. When we next see her, she’s meeting Lincoln in a bar, bringing cameras in to film her conversation with her grieving son who believes he’s just buried his father, telling him “They won’t pay if you won’t go.” Her behavior’s repulsive, but it’s also driven by need rather than pure greed: this is the way she can finance the search for her missing husband. Lincoln is surly around the crew once they’re on the river. “So Lincoln, tell us about your relationship with your father,” a producer asks him, only to get the entirely appropriate response of “Go fuck yourself.” (A side note, I appreciate that the characters are swearing like they would if they were real humans under stressful situations.) But by the end of the show, Lincoln’s playing along. After a touching, and theoretically private, moment between Tess and Lincoln, she points out that there’s a camera watching them—but he knows. She may be using him to get back to the river, but Lincoln has an agenda of his own.

There’s been a lot of conversation about reality television as horror show, especially in the wake of Russell Armstrong’s suicide. But things like The River and The Hunger Games are upping the stakes and trying to find a limit to what we’d let ourselves be entertained by—and what people will do to entertain us.

Alyssa

Art And The Occupy Movement In 2012

Marissa Gluck has a cool piece up at Atlantic Cities about how Los Angeles, in the midst of dismantling its citiy’s Occupy encampment, took the time to preserve a mural created by people who were living there or passing through (the mural also had a functional purpose to protect a fountain):

The mural’s preservation is thanks to the efforts of Matthew Rudnick, a budget bureaucrat with no formal art education but with a keen sense of historical import. During the park clean up, Rudnick coordinated efforts between General Services, (which was responsible for cleaning the park), and the Department of Cultural Affairs. “It would be a tragedy to have it thrown away,” says Rudnick. “The work is dynamic.” [...]

The Department of Cultural Affairs is now beginning the process of finding a permanent home for the mural. Interested parties will soon be invited to submit offers to display the mural publicly.

It’s relatively new terrain but one the city viewed as necessary for an artwork that had become an emblem. “We felt giving it to a [caretaking] entity without a public process would come back to haunt us,” says Olga Garay-English, Executive Director of the Department of Cultural Affairs. “It’s more appropriate to have a transparent system in place.”

There’s a radical chic element to all of this, of course, and it’s worth keeping that in mind as Occupy-created and Occupy-inspired art is turned from political expression into commodities. But that doesn’t meant that the work isn’t worth making, or that Occupy-inspired art can’t provide a valuable public example of the connection between artistic expression, political argument, and change. Flavorwire, as one of their 2012 cultural resolutions, hopes the novelists, poets and playwrights who have signed up as part of Occupy Writers will start producing work inspired by their own commitments and in some cases reawakenings. It goes without saying that I agree. Yes, there’s a lag time between events and art inspired by them. But if the 99 percent movement’s going to continue, artists can play a role in sustaining it and looping more people into the conversation, and processing what is past, and passing, and yet to come.

Alyssa

The Smug Moralism And Unattractive Class Politics Of ‘The Descendants’

If I was in possession of a large amount of extremely valuable and beautiful beachfront Hawaiian land that I wasn’t allowed to continue owning, and if I cared about my family’s legacy and the future of my state, I would have a number of options. I could sell it. I could work with the National Parks Service to set up the first National Seashore in Hawaii. I could collaborate with the Hawaii State Parks agency to preserve the land and make it accessible to people other than my family. I could spin it off into an independent charity. I could donate it into a university. I could sell some of it and purchase a small piece of it at market price to preserve as a family compound. Matt King, the wealthy lawyer portrayed by George Clooney in Alexander Payne’s smug The Descendants, considers only that first option. It’s a movie that ultimately argues that the highest moral cause is a rich man keeping what’s his. And that’s not the only thing that I disliked about the second painfully politically-misguided (and oddly out of touch) movie George Clooney gave us in 2011.

That conviction that Matt’s only options are turning the land into money or keeping it for himself doesn’t just give us a narrator who is painfully self-absorbed. It’s of a piece with the movie’s odd tendency to treat the land deal part of the plot as if it’s hugely momentous and then to dissipate all the tension surrounding it. There’s essentially no debate about what to do with the land because the positions of the family members who don’t want to sell are never articulated: it’s just asserted that there are people out there who would prefer to hold on to the land even though the law says they can’t. The closest thing there is to an argument is about whether to sell to a local developer or one based out of another state. We know that Matt thinks some of his relatives are shiftless spendthrifts who would prefer to take a higher price from the non-local developer, but no one on the other side talks about what it means to them to support the Hawaiian economy, or what, if any, responsibilities they feel they have to their state. They’re just bodies there to indicate that there are substantial votes on each side. And ultimately, the big decision we’ve been told has to be made at this family gathering is actually seven years away from its deadline and pushed aside until King can find another solution.

The same shallow approach applies to every other discussion of Hawaii’s economics in the movie. The Descendants deserves credit for getting lots of non-white people into the camera frame, often on planes next to Matt King’s head as he jumps from island to island. But the movie focuses most directly on native Hawaiians during Matt’s opening monologue, as illustrations of troubles in the paradise that he declares “can go fuck itself.” The vacant, the indigent? These are things that Matt King has to endure, along with his wife’s coma. If what makes one Hawaiian is a fondness for comfortable clothing and a sense of noblesse oblige without the oblige, there are regional and ethnic identities I’d be more interested in spending time exploring.
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