This post contains spoilers for the entire first season of Showtime’s Homeland. Be warned.
“I’m not.” -Sgt. Nicholas Brody
The war on terror has made America sick, and accepting a cure will kill us. The finale of the first season of Showtime was full of philosophical debates. And it ended with a Carrie, a patient driven mad by a basic and critical impossibility behind those debates — the dream that we can ever be completely safe from terrorism — wiping out her own brain, all the joy and love and agony, and crucial insights, of her last few weeks. Whatever you may think of how the show has handled Brody’s motivations, there’s no question that it’s successfully walked an exceedingly fine line in making a difficult point: that it’s insanity to let yourself be consumed by a fear of terrorism, but equally insane to refuse to see the risk. It’s a tragic madness to let terrorism convince you to give up who you are, whether you’re an American elected official or a captured Marine. And it’s equally devastating to cling rigidly to the past when you desperately need to change. The show hasn’t forged a compromise, and neither have we in the world beyond the screen. But Homeland is articulating that central dilemma, the one that’s governed so much of our politics for the last decade, in a critical and urgent way.
It’s also become a fantasy about assassinating or undermining Dick Cheney, who is the clear model for Vice President William Walden. “My action this day is against such domestic enemies,” Brody tells us in the suicide video that he records and that begins the episode in language that echoes charges lobbed at both Cheney and President Bush. “The Vice President and members of his national security team who I know to be liars and war criminals, responsible for atrocities they were never hold accountable for. This is about justice for 82 children whose deaths were never acknowledged and whose murder is a stain on the soul of this nation.” In the video of him working with David to order the drone strike, Walden declares that “If Abu Nazir is taking refuge among children, he’s putting them at risk, not us.” There are no innocents. In giving the order, he falls into obscurantist language, saying “It’s our collective opinion that the potential collateral damage falls within current matrix parameters.” Watching years later, Saul has the reaction that many of us would: “Good God. Someone actually came up with that language?” And that’s not all he’s done. In his sitdown with Walden, Saul reminds the Vice President that David may be willing to throw evidence down the memory for the sake of his career and clothe that decision in an ideological shift, but he is not. “I’m a sentimentalist,” Saul declares with controlled venom. “I like to hold on to things. For old times’ sake. Whoever told the American people these interrogation tapes had been destroyed is mistaken. Coercion. cruelty. Outright torture makes for a very unhappy human. You gave the orders, William.” When he survives Brody’s botched attack, Walden makes grotesque use of Elizabeth’s death to kickstart his presidential campaign. He’s easy to despise.
But while Cheney is out of power, the ideas he promoted persist, and Homeland focuses instead on what the real and fictional vice presidents have wrought. Brody and Nazir come to a collective conclusion that the man isn’t what’s important. “Why kill a man when you can kill an idea?” Nazir asks Brody, as they reach an uneasy truce over a new strategy.
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