On Saturday, former President Bill Clinton became the inaugural recipient of GLAAD’s “Advocate for Change” award for his advocacy for marriage equality over the past few years. During his speech, Clinton praised GLAAD for their work in helping people better appreciate the lives of LGBT people, and he committed to doing the same until equality is achieved:
CLINTON: I want to keep working on this until not only DOMA is no longer the law of the land, but until all people, no matter where they live, can marry the people they love. For example, when I flew here from New York, I knew I’d still be married when I got here. Heck, I’m going to Texas next week to George W. Bush’s library dedication, and I’ll still be married when I get there. You have helped me come to the place where I am today; that’s why you are the true agents of change.
But we have all learned in our interdependent society in our increasingly interdependent world that whenever people anywhere are denied any rights, it diminishes us all. That’s why we were so gripped to our television after those bombs exploded at the Boston Marathon… And the same is true here. I believe you will win the DOMA fight, and I think you will win the Constitutional right to marry. If not tomorrow, then the next day or the next day.
Watch his full remarks:
Clinton added that his daughter Chelsea and her gay friends had a “profound impact” on how he understands the LGBT community and what it means to treat them equally.
In March, before the Supreme Court heard oral arguments, Clinton wrote that he believed that the Defense of Marriage Act is discriminatory and should be overturned. Still, some — including attendees at the awards ceremony — still criticize Clinton for signing DOMA into law in the first place, an action for which he still has not technically apologized.

At Saturday night’s GLAAD Media Awards, Anderson Cooper accepted the Vito Russo Award, named for the author of The Celluloid Closet, which challenged the inaccurate portrayals of LGBT people in the media. In what is essentially his first public address on LGBT issues since coming out, Cooper paid tribute to Russo and the many other activists who paved the way so that he could do the work he now does:
Today,
This week’s episode of the sitcom Mike & Molly featured an unfortunate “joke” at the expense of transgender people. In the scene, Mike is talking with Carl, his police partner and best friend, about his history of picking up downtrodden women:

GLAAD does an incredible job of combing through new and returning every fall to figure out who—and not only on the basis of sexual orientation—the networks want to tell stories about. The numbers on series regulars are important because they represent a more significant commitment: it’s not particularly hard for a show to slot in a supporting characters whose main characteristic is his or her gayness, or to cast an actor of color to play a wholly generic supporting character whose role is so slight doesn’t require anyone to think about any potential racial inflection of the part. So as the season gets off to a start this year,
Normally, I would pay absolutely no attention to anything Paris Hilton says, except that her anti-gay meltdown yesterday and her apology today are a perfect example of how the media’s learned to process offense. The hotel heiress found herself in headlines again after a New York taxi driver clandestinely taped her speaking with a friend in a cab, in itself a totally gross thing to do, no matter how gross whatever he captured is. And
GLAAD’s Network Responsibility Index is one of the most fascinating and comprehensive looks at the on-screen diversity of American television, examining not just gay, lesbian, bisexual and transgender characters, but racial and gender diversity as well. And the version of its report released today says a lot not just about which networks are doing well at integrating LGBT characters into their programming, but about generation gaps between viewers and which kind of gay people are most integrated into the American imagination.
