by Zack Ford Mar 6, 2015
The third season of House of Cards not only portrays Russia's ban on "gay propaganda" accurately, but provides a reminder that it hasn't gone away.
by Jessica Goldstein Jul 10, 2014
If the Emmys mattered, it would be NOT OKAY that Orphan Black and The Americans were snubbed.
by Jessica Goldstein Apr 2, 2014
We're seeing rape survivors on non-SVU shows. How realistic are the portrayals of their experiences?
by Alyssa Rosenberg Feb 24, 2014
Ignoring ideology means that Frank Underwood is inherently empty, and that 'House Of Cards' can never give him a really credible opponent.
by Alyssa Rosenberg Feb 21, 2014
Don't get mad at 'House of Cards' for playing by the rules of Hollywood economics. Instead, think about what it means that no Washington show shoots in DC.
by Alyssa Rosenberg Feb 18, 2014
'House Of Cards' has joined a number of television shows and novels that explore how men respond to the sexual assault of women that they love.
by Alyssa Rosenberg Oct 22, 2013
In a letter to shareholders, Netflix barely mentions film, but buzzes about television. It's a strategy that makes financial--and cultural--sense.
by Alyssa Rosenberg Oct 11, 2013
One of the better things Netflix could do for creators like those of 'House of Cards' is to let them end stories when they've run out of steam.
by Alyssa Rosenberg Aug 20, 2013
Former Congressman Barney Frank hits on a key problem with Netflix's 'House of Cards': making Frank Underwood all-powerful makes the show boring.
by Alyssa Rosenberg Jul 18, 2013