by Jessica Goldstein Posted on July 10, 2014
If the Emmys mattered, it would be NOT OKAY that Orphan Black and The Americans were snubbed.
by Jessica Goldstein Posted on April 2, 2014 Updated: September 8, 2014
We're seeing rape survivors on non-SVU shows. How realistic are the portrayals of their experiences?
by Alyssa Rosenberg Posted on February 24, 2014 Updated: February 24, 2014
Ignoring ideology means that Frank Underwood is inherently empty, and that 'House Of Cards' can never give him a really credible opponent.
by Alyssa Rosenberg Posted on February 21, 2014 Updated: February 21, 2014
Don't get mad at 'House of Cards' for playing by the rules of Hollywood economics. Instead, think about what it means that no Washington show shoots in DC.
by Alyssa Rosenberg Posted on February 18, 2014
'House Of Cards' has joined a number of television shows and novels that explore how men respond to the sexual assault of women that they love.
by Alyssa Rosenberg Posted on October 22, 2013 Updated: October 22, 2013
In a letter to shareholders, Netflix barely mentions film, but buzzes about television. It's a strategy that makes financial--and cultural--sense.
by Alyssa Rosenberg Posted on October 11, 2013 Updated: October 10, 2013
One of the better things Netflix could do for creators like those of 'House of Cards' is to let them end stories when they've run out of steam.
by Alyssa Rosenberg Posted on August 20, 2013
Former Congressman Barney Frank hits on a key problem with Netflix's 'House of Cards': making Frank Underwood all-powerful makes the show boring.
by Alyssa Rosenberg Posted on July 18, 2013
by Alyssa Rosenberg Posted on May 13, 2013