Sundance is an overwhelming event, and I heard from some veterans of the festival that this was a somewhat difficult year to encapsulate, despite Robert Redford’s call to watch serious movies for serious times. But most of the best movies I saw at Sundance had a certain joy to them, even when discussing difficult ideas or events, and the very best had a marvelous sense of humor. I haven’t published full reviews of all of these movies yet, though I’ll catch up in coming days, so bookmark this page if you want a guide to the best independent movies that will be coming to theaters this year.
DOCUMENTARIES
Under African Skies: It says a lot about how wonderful I thought the music-making part of this story about Paul Simon’s Graceland, and his return to South Africa decades later, that I’m willing to forgive its less-than-stellar work on the cultural boycott of South Africa. It’s a debate about the responsibility artists owe politics that’s too heavily weighted in one direction. But the video footage of the recording sessions is amazing, as are the interviews with South African musicians about everything from what it was like to have this strange Paul Simon dude show up and want to work with them to what it was like to be able to go to Central Park without a pass.
The Invisible War: There’s nothing particularly stylistically innovative about Kirby Dick’s documentary about the epidemic of rape in the U.S. military. But the movie falls with the force of a sledgehammer, exposing as ineffective and dishonest the brass in the armed forces responsible for keeping women and men safe, and making it clear that an epidemic of sexual assault is hurting both men and women, and driving out of the armed forces exactly the people the Pentagon should most want to keep there.
The Atomic States of America: Based on Kelly McMaster’s memoir of growing up in a town on Long Island polluted by atomic runoff, the movie is the story of an agency captured by powerful interests and backed up by powerful presumptions of authority, and the ordinary citizens who have fought back against the industry they believe is poisoning their communities. I’d have been curious to hear more about how citizens in other countries that are more dependent on atomic energy than we are, but it’s amazing looking into our past romance of the peaceful atom—and thinking about what it means for our uncertain energy future.
Love Free or Die: Bishop Gene Robinson’s story has been told before, and the first openly gay Anglican bishop is hardly a retiring figure. But Macky Alston’s wonderful documentary isn’t just about him. It’s about the difficult process of organizing within the Anglican church, which shut Robinson out of the Lambeth Conference, to make it a more welcoming and affirming institution for the gay people who have kept faith with it. And the movie argues that a gay rights movement without the faith community is leaving power and influence on the table, and risks making gay people choose between love and faith.
The Queen of Versailles: Tons of ink and miles of film have been devoted to chronicling American excess in a recession age. But it’s hard to imagine that anything will do better than this story about David and Jackie Siegel, who built an empire selling time-shares to people who couldn’t afford them and then pushed themselves to the brink of financial ruin by building what would have been the largest house in America. Whether it’s expertly breaking down the housing crisis’ role in the crash or chronicling the horrifying wastefulness of the Siegel’s consumer spending, The Queen of Versailles is funny, biting, and utterly American.
FICTION
Read more
At the Clinton Global Initiative annual meeting, ThinkProgress Green interviewed Zack Rosenburg, the CEO and co-founder of 


After violent storms slammed three mid-western states and claimed
This week, on the eve of the five-year anniversary of Hurricane Katrina, a
In an 