President Obama on Monday defended the actions he and the rest of the Executive Branch took in the days and weeks after the assault that took the lives of four Americans, directly questioning those who claim that he orchestrated a cover-up.
But on Fox News last night, Cheney attacked Obama’s response, claiming (without evidence) that the Obama administration “lied” about Benghazi:
CHENEY: I watched the Benghazi thing with great interest, Sean [Hannity]. I think it’s one of the worst incidences, frankly, that I can recall in my career. It put the whole capability claiming the terrorist problem solved once we got Bin Laden, that Al Qaeda was over with. If they told the truth about Benghazi, that it was a terrorist attack by an al-Qaeda-affiliated group, it would destroy the confidence that was the basis of his campaign for re-election.
They lied. They claimed it was because of a demonstration video, that they wouldn’t have to admit it was really all about their incompetence. They ignored repeated warnings from the CIA about the threat. They ignored messages from their own people on the ground that they need more security. They reduced what was already there.
Cheney’s choice of words is interesting, given the numerous security lapses and misleading narratives that took place during his multiple periods in power in Washington. One would think that the former vice president would regard the 9/11 attacks as the “worst incident” that he could recall. Or perhaps the run-up to the invasion of Iraq, in which he and other members of the administration repeatedly misled the American people about Iraq’s WMDs and the war’s difficulty and costs. Or the Abu Gharib prison scandal, in which Iraqis were tortured under the watchful eyes of American soldiers and prompted more and greater attacks on U.S. forces. Or perhaps the thirteen attacks on U.S. diplomatic compounds that occurred during the Bush administration’s two terms, in which nearly a dozen Americans died.
“Well, they tried to cover it up by constructing a false story, claiming there was confusion about what happened in the Benghazi compound,” Cheney went on to tell Hannity, joining the chorus of those who believe a conspiracy took place to hide the truth about the attack. “The cover up included several officials up to and including President Obama and the cover up is still ongoing.”
Former Ambassador Thomas Pickering, co-chair of the State Department’s Accountability Review Board report on Benghazi, referred to claims that a cover-up occurred as “Pulitzer Prize fiction.” Likewise, the CIA’s original draft of the infamous talking points, which Republicans, including Cheney, point to as evidence of a conspiracy, mentioned that the attacks “were spontaneously inspired by the protests at the U.S. Embassy in Cairo,” with the next draft showing the intelligence community’s belief that a demonstration had occurred prior to the attacks.
It’s also worth noting that during his time as a Congressman from Wyoming, Cheney was the ranking member of the panel investigating the Iran-Contra scandal, during which an actual cover-up occurred. At the time, Cheney viewed the Congressional investigation as being an overreach into executive prerogative. Apparently the Iran-Contra scandal doesn’t fall under “one of the worst incidences” that he can recall.










As the tenth anniversary of the war in Iraq approaches, many of my colleagues who write about policy have been looking back on their past prognostications to see who was right, who was wrong, and who believed what information on what basis. It’s an interesting exercise, considering how many reputations were made and broken on those assessments, but I’m interested in looking backwards for something different. During the decade of America’s involvement in Iraq, Hollywood’s responded with a huge array of movies, television shows, and miniseries that offer a fascinating, and in many ways disturbing window into our desire to support and honor the people who have served in the U.S. military in Iraq and Afghanistan. But despite the profusion of these movies, and of soldiers as heroes even in movies that aren’t specifically about these wars, pop culture tells us as much about our attitudes to Iraq in what movies and television largely leave out: the reasons we sent soldiers to Iraq in the first place and kept them there for so long; the rising number of female veterans who are homeless, even as the Obama administration welcomed servicewomen officially into combat; and what medical recovery from combat injury really looks like. Too often, Hollywood products reflect a public desire to support the troops without recognizing what kind of support would actually be useful. And too often, sympathy for veterans substitutes for grappling with the reasons that we asked them to do things that have left them physically or psychologically injured.
And soldiers have become stock figures in all sorts of genre movies, even those that don’t purport to deal directly with war or the soldiering experience as their primary subject—and soldiering roles have become a key way for actors to attempt to rebrand themselves as serious mainstream players. Zac Efron, as part of his attempts to present himself as something other than a teen idol, played a Marine who served three tours of duty in Iraq in an adaptation of a Nicholas Sparks weepie The Lucky One. Professional wrestler John Cena played a Marine who was discharged for overzealousness in the fight against terrorism in Iraq, and who has trouble adapting to civilian life until his skills become necessary in tracking down a violent band of criminals who have kidnapped his girlfriend in The Marine. The remake of The A-Team, which put a jokey spin on the Iraqi insurgency, was part of Bradley Cooper’s move up from goofy supporting player to star, and an attempt to make South African actor Sharlto Copley a mainstream American movie actor after the success of District 9. G.I. Joe: The Rise of Cobra was a silly stop for both Channing Tatum, who between this and Stop-Loss has benefitted perhaps more than any other single actor from the fad for soldier characters, and Joseph Gordon-Levitt, but it did demonstrate that they were both credible participants in action franchises.
