by Alyssa Rosenberg Posted on February 3, 2014 Updated: February 3, 2014
Woody Allen's movies aren't a confession. But they have conditioned us to see him as a victim, and to ignore the consequences of his behavior for others.
by Alyssa Rosenberg Posted on February 2, 2014 Updated: February 3, 2014
Philip Seymour Hoffman, who was found dead on February 2, seemed an immutable part of life at the movies, and an example of what could be best in them.
by Alyssa Rosenberg Posted on January 16, 2014
Don't get mad at which movies didn't get Academy Award nominations. From 'Fruitvale Station' to 'Stories We Tell,' get watching.
What the 2014 Academy Award nominations tell us about the future of movies, the reign of Amy Adams, violence and flash, and the rise of science fiction.
by Alyssa Rosenberg Posted on January 10, 2014 Updated: January 10, 2014
Sure, the Hollywood Foreign Press Association can make ridiculous decisions. But here's who should win at the Golden Globes on Sunday.
by Alyssa Rosenberg Posted on December 28, 2013
'Her' is an interesting movie because it chronicles a relationship between a human and a computer program. It's a great one because it asks larger questions about love.
by Alyssa Rosenberg Posted on December 20, 2013
'American Hustle' doesn't entirely hang together, but at times, it's a striking portrait of self-deception.
by Alyssa Rosenberg Posted on December 17, 2013
An A to Z of some of the most striking movies released in 2013, including 'After Tiller,' 'Fruitvale Station,' 'Short Term 12' and 'Wadjda.'
by Alyssa Rosenberg Posted on December 6, 2013
If we want to have a conversation about '12 Years A Slave' and contemporary politics, we need to focus on Benedict Cumberbatch's slave owner Ford.
by Alyssa Rosenberg Posted on December 4, 2013 Updated: December 4, 2013
David Pierce reports that just 14 percent of movies made in the American silent era exist in their complete original format.