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Stories tagged with “Powers

Alyssa

Intermission

The bridge is yours.

-FX is restarting its efforts to make a Powers show from scratch, which hopefully will mean some better casting.

-The Dark Knight Rises is going to have “sensuality.”

-After they make Alexander and the Terrible, Horrible, No Good, Very Bad Day, someone should adapt Nothing Ever Happens on My Street.

-Is the Katniss Everdeen Barbie skinny enough for Manohla Dargis?

-This diss track doesn’t exactly elevate the conversation around Odd Future, though I do like the Hunger Games reference. Some other rapper should run with that:

Alyssa

Spider-Man v. The Cops

No matter how much I think the Spider-Man reboot is utterly unnecessary, I have to admit it looks like a lot of fun:

A couple of thoughts: I’m relieved that the movie is acknowledging that someone other than the scientific community, riders of random subway cars, and J. Jonah Jameson notice that a dude in a funny suit is messing with the city’s criminals. It makes sense that an escalation of tensions in the underworld that leads to massive property damage and physical fights would pop up on the NYPD’s radar and that they’d have an interest in what’s going down. Dennis Leary is great as a cantankerous, drunk, or otherwise difficult representative of city government (he is the best part of The Thomas Crown Affair remake), and he’s got the perfect mein to pull off a portrayal of a man who is personally and professionally deeply irritated by Spider-Man. If the Powers adaptation ends up not happening, at least we’ll have something.

Second, the Gwen Stacy storyline in the Spider-Man universe is awesome and heartbreaking. And if this iteration of the franchise wants to honestly grapple with superheroic hubris and the limitations of superpowers when the go up against the laws of physics and the odds, it would be wonderful if they followed that original template. Being a teenager—as well as being a depressed middle-aged billionaire—is a dark thing. And I don’t mean in a getting-infected-with-venom-and-going-to-jazz-clubs kind of way. It’d be nice to see a movie franchise that recognizes that not everyone makes it out of that period okay, and that having superpowers may increase the kinds of risks you can take, but it doesn’t mean you’re utterly protected.

Alyssa

How Police Brutality In ‘Powers’ Is Different From Police Brutality On TV

When I first wrote about Deena Pilgrim last week, commenter Seth D. Michaels wrote that “I have a weird, hard-to-shake emotional reaction to depictions of police brutality, particularly as carried out by female characters” like Deena, or Kima Greggs from The Wire. Now that I’m done with the second volume of the hardcover edition of Powers, I wanted to dig into that a little more, especially after Deena acknowledged to Christian that she’d killed Johnny Royalle and almost beat Harvey Goodman to a pulp.

Superficially, the book seems to defend Deena’s actions, particularly in the scene where Christian asks her to work with him again and apologizes for judging her for the murder. “In my day, I had to—decisions had to be made that I would rather not have questioned,” Walker says. “I, of all people, should not have moralized on you. I don’t care what happened to Johnny Royale…the guy clearly gave up his membership card in the human race a long time before we had anything to do with him.” But I think Powers pretty forcefully establishes that the reason Walker is okay with what Deena did, the only reason we’re supposed to be semi-okay with her beating Harvey Goodman to a pulp in custody, calling her “Cop killer! Hero killer! I’ve got two words for you—pain management,” and warning her “You think I’m fucking around? You think I won’t kill you right here?” is that the system is irretrievably broken.

Harvey may be a fanatic, and I’m not sure she’s right that superheroism is going to lead to environmental degredation, but she is pretty much right that “Every one of these so-called superheroes inflicts his own brand of justice and morality on our society without any understanding of the ripple effect.” I sympathize with Diana Shutz (whose Dark Horse Coffee I assume is a riff on the comics label), the character who tells “Powers That Be” that:

We have created a society where we freely allow men and women to take the law into their own hands. Cape or no cape—brightly colored logo or not—a superhero is a vigilante who is taking the law into his own hands. We root for who we decided is the good guy, and we boo for the person we decide is the bad guy. And we never consider that just the idea that we allow these people to put the law into their own ahnds, that we let one person make a moral decision for another person, is wrong.

Deena’s actions are only excusable in a world where morality has entirely broken down. And in beating Harvey, she’s seeking a narrow factual truth, but denying a larger one — that the heroes she protects blur her own authority. It’s the inverse of all those television shows that suggest that cops who beat up pedophiles and murderers are letting a larger truth leak through — that we’d all like to exact retribution on criminals — they’re just supposed to restrain themselves where we couldn’t necessarily. That’s complex, but it’s a powerful indictment.

Alyssa

Intermission

-Shocking news: there is a market for comics by ladies, so much so that people will pay for something that’s not even out yet.

-Setting up Zodiac as a role model for FX’s Powers adaptation absolutely guarantees that I will watch it.

-Lucille Ball is a goddamn hero.

-Really curious as to when we’re going to get more 90s period movies other than Definitely, Maybe and The Wackness.

-I don’t even have children and the prospect of Jonah Hill taking care of them fills me with horror:

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