"Michael Bay Gets Political"
Reviewing Transformers: The Rise of the Fallen for io9, Charlie Jane Anders memorably proclaimed that Michael Bay had finally produced a high-concept film and “used a squillion dollars and a hundred supercomputers’ worth of CG for a brilliant art movie about the illusory nature of plot.”
I think there’s a lot to that, but one shouldn’t miss the extent to which TROFT is also an incredibly engagé political text, a searing indictment of Obama’s liberal fascist United States of America. After all, though the film doesn’t dwell on the point, one critical turn in the storyline comes when a heroic Major in the United States Army (or possibly Air Force) decides to disobey orders and mutiny against a civilian operative specifically sent by POTUS to take command of the operation. But what’s more, this is no rogue special forces officer, he’s clearly supported in his action by the Chairman of the Joint Chiefs of Staff, who elects to turn a blind eye, and leave President Obama (who’s named specifically) in the dark as he cowers in fear in an underground bunker. Obama, you see, has ordered American forces to attempt to appease the Deceptecon threat by halting all collaboration with the Autobots, and agreeing to turn Sam Witwicky over to the forces of evil. By defying Obama and staging what amounts to a coup, the military saves the day.
What’s more, the film appears to indicate that Jordan and Egypt share a border right near the tip of the Gulf of Aqaba. For this to be the case, of course, Israel would have to be wiped off the map. The film doesn’t specify how this horrific turn of events took place, but I think we can take for granted that Obama’s cowardly of a settlement freeze is ultimately responsible.